Sports Illustrated & Its Swimsuit Issue: Body Positive Or Not?
Posted: March 1, 2016 Filed under: Aging Women, Beauty, Body, Body Image, Feminism, Objectification/Sexualization, Sexism, Woman's Bodies, Women in Media | Tags: Ashley Graham, Male Gaze, Nicola Griffin, Sports Illustrated, Swimsuit Issue 61 CommentsWhen I heard that Sports Illustrated was including a number of plus-size models and an older model in its latest swimsuit issue, my initial reaction was to celebrate. Finally, more women who don’t fit the conventional ideas of beauty would see themselves reflected within the pages of this iconic issue. Beauty, after all, comes in all shapes and sizes. Now, here was Sports Illustrated embracing that message. But, is the magazine’s decision to feature more types of women in its swimsuit issue a move that genuinely liberates women and girls from the outdated notions of beauty? Or does it squeeze more of us into the narrowed lens of approval that comes from sexual objectification?
Ashley Graham, who is a size 16, and appeared in last year’s swimsuit issue in a Swimsuits for All ad, is one of three models selected as a cover girl for this year’s issue. Also joining her with their own covers are UFC wrestler Ronda Rousey, whose physique is more athletic than what we’ve come to expect of conventional swimsuit models, and Hailey Clauson, a blonde, slender, blue-eyed model who fits the traditional mold.
And there is also this: Graham is the first plus-size model to get on a cover of the swimsuit issue. This is considered an even bigger honor than making it into the magazine. In a Facebook post, Graham wrote, “This cover is for every woman who felt like she wasn’t beautiful enough because of her size.” (It bears noting that the “plus-size” label is deceptive. The CDC says that the average US woman weighs 166.2 pounds and has a 37.5-inch waist circumference. Yet many in the fashion industry consider women who are smaller than that a “plus-size,” meaning supposedly larger than the average sized-woman.)
The sexualized images of females depicted in the media does affect the way women and girls relate to their own bodies. It is through this one-dimensional, distorted lens of perception that we learn to see (and judge) ourselves and each other.
Even though the world is filled with women of all ages, shapes, and sizes, it’s typically the younger, thinner, taller, and until recently, fairer-skinned models that appear in fashion and beauty ads. No wonder so many women and girls think that they don’t measure up to society’s manufactured standards of beauty—or, that they’ll lose their appeal once they reach a certain age.
This is why Sports Illustrated’s decision to include 56-year-old Nicola Griffin in the issue in a Swimsuits for All ad is being hailed as another revolutionary move. Griffin, who didn’t start modeling until after her kids went to college, is the oldest model to ever be featured in a SI Swimsuit issue. In the ad, she is posing in a metallic gold bikini, her head crowned in all its gray-haired glory.
However, the same problem remains: The 2016 swimsuit issue, like every other one that has come before it, continues to perpetuate a particular way of seeing. It is a perspective that takes women’s bodies and sexually objectifies them for the gratification of its audience while bestowing “approval” in the process.
The thinking goes like this: If Sports Illustrated is allowing “plus-size” and older females into its swimsuit issue, then they really must be hot. (In reality, women like Graham and Griffin have always been beautiful and sexy. It’s society’s outdated beauty standards that have been slow to catch on.) That Sports Illustrated’s editorial choices are considered such a big deal shows how much value society continues to place on what straight men presumably consider sexually attractive when it comes to defining feminine beauty and who gets to fit that bill.
It’s also important to remember that at the end of the day, the swimsuit issue’s main objective isn’t to promote body positivity. It’s here to sell magazines. It does this by turning the female body into a visual commodity and making millions of dollars every year in the process.
Some of you might be saying, “It’s just photographs of beautiful women in bathing suits, what’s the big deal?”
Any kind of objectification of the female body is harmful.
Female objectification invites men to see women as sex objects rather than individuals. It has been connected to eating disorders, body shame, low-self esteem, depression, and other health issues in girls. On the extreme end, female objectification has been linked to incidents of domestic violence, physical violence, and sexual violence against women and girls.
Rather than try to fit more women and girls into the stifling and disempowering lens through which we continue to be portrayed in so much of the media, we need to dismantle this particular filter. As a society, let’s do more celebrating of women and girls as they are in real living color—not merely captured to maximum sexiness on the page—but as human beings who are so much more than what is pleasing to the eye: Complex. Raw. Intelligent. Passionate. Sexual. Strong. Emotional. Creative. Untamed. Opinionated. Unique. Original.
Now that’s hot.
A Night at the Movies, Part II: The Female Body On and Off Screen
Posted: April 29, 2015 Filed under: Beauty, Body Image, Creativity, Feminism, Women in Media, Women's bodies | Tags: Clouds of Sils Maria, Janelle Monae, Juliette Binoche, Pink 49 CommentsThe day after watching Cinderella (A Night at the Movies, Part I), I went to see another film. The Clouds of Sils Maria stars Juliette Binoche, Kristen Stewart, and Chloë Grace Moretz. This wasn’t a film I particularly enjoyed in terms of plot, but the acting by all three women is wonderful work. (For a review from someone who did like the flick, click here.)
I especially couldn’t stop watching Binoche. Not only because her performances are always a master class in acting but it was so refreshing to see a female movie star past ingénue age looking so comfortable baring her body on the big screen. That’s not a sight one gets to witness often, especially in American cinema.

CG Cinéma/Pallas Film/CAB Productions/Vortex Sutra
Arte France Cinéma/Orange Studio/Radio Télévision Suisse
http://www.imdb.com/title/tt2452254/
Binoche didn’t look like she’d toned up at the gym first before letting us see her naked in all her 51-year-old softness.I doubt she was any less beautiful or sensual than if she’d been all muscle.
There is a much needed healing of an old wound that happens when I see images of women that are more expansive than the limited ideas of beauty that I grew up with and surround me still—just like it feels like a balm for me when I see people of color playing significant parts on the big screen or as lead characters in literature. But it wasn’t just how Binoche looked. As I said, she would have been just as beautiful if she’d been all sculpted too. It was more that I felt coming from her body a sense of pleasure and shamelessness in fully inhabiting her own skin… much the way she fully embodies the parts she plays.
I used to think that I was at my best-looking, sexiest self when I managed to get my stomach to go flatter or the number on the scale went down. People’s reactions to me would affirm that—“You look so good! You lost weight!”
Lately, I can’t help but think that their responses were not necessarily because of how I looked but more because those were the times when I’d give myself permission to enjoy being in my body. The way I would carry myself, walk into a room, and interact with people changed, reflecting my own pleasure.
In her blog, Londin Angel Winters, the creator of Metaphysical Fitness and the Mindful Sculpt workout series writes, “Confidence, elegance, sexiness, grace, playfulness… these are all energies that any of us can embody in any moment we choose. Nothing needs to change about our bodies except that we need to stop dragging them behind us like forgotten luggage… we “come home” to them and a world of expression and beauty opens up to us immediately.”
There is a lot that has been written, by myself included, about how the unrealistic standards of beauty thrust at us by society, not to mention the barrage of photoshopped images in the media, make it hard to love our bodies or the way we look. But I doubt that these standards and images are going to go away until we make like Gandhi and “be the change that {we} wish to see in the world.”
Several years ago a friend of mine and I talked about starting a belly revolution. We were going to set up a website calling on women, including ourselves, to love the female belly in all its shapes and forms—round, lean, sculpted, stretch marked…. For me, my challenge has always been learning to love my stomach in its natural round shape and not just when its muscles are toned. (The latter has happened once for six months in 44 years.) Yet the next day, while browsing through a bookstore, I bought a book on how to lose tummy fat.
I called my friend to back out of our new venture. There was no way I could lead any kind of body revolution unless I learned to love my own first. ” I think I’ll just wait until the rest of the world is on board and then join up,” I told her. “Maybe Madonna will start their own belly loving movement!”
There are definitely plenty of reasons to cheer when female celebrities act as role models by refusing to succumb to the pressures imposed by made up standards of female beauty. I too was inspired when, a few weeks ago, both Kelly Clarkson and Pink refused to let negative comments about their weight get them down. I loved it when singer Janelle Monae told a fan, who had Tweeted that she needed to focus more on being sexy, less on being soulful: “I’m not for male consumption.”
Yet ultimately, liberating ourselves from culture’s limiting standards is an inside job. I can find inspiration, courage even in others’ examples. But what I do with my body and how I choose to feel in it, show up in it out in the world, is up to me.
Mirror, Mirror on The Wall
Posted: December 31, 2014 Filed under: Aging Women, Beauty, Body, Body Image, Female Power, Feminine Power, Feminism, Objectification/Sexualization | Tags: Body Image, Feminine Power, Feminism, The Male Gaze, Women's Bodies 82 CommentsThere was a time when I wanted to be famous. I felt that if I could just see myself under bright lights, on the big screen, or the front page, I would finally feel like I mattered. In the last several years, I’ve stopped craving stardom. Maybe it’s in part because fame seems to be an easier feat to accomplish these days. Do or say something super provocative or heartwarming, post it online, watch it go viral, and—Voila! —for at least fifteen minutes everyone knows your name. But does fame even mean anything anymore now that it is so much more achievable? Then again, did it ever?
I’d like to think that the reason for the change in me goes deeper—that it is because I no longer need other people to look at me first before I am able to see myself or know that I have value. I’ve begun owning that I matter, cultivating this understanding from the inside out, rather than looking for that validation from the outside in.
For the longest time, none of this was the case at all. I let culture and the male gaze, especially, tell me who I was and how much I was worth. Often, that worthiness was tied to whether or not men found me desirable.
Saturating in Feminine Beauty
Posted: October 24, 2014 Filed under: Beauty, Body Image, Feminine Power, Feminism, Movement, Objectification/Sexualization, Pleasure, Woman, Woman's Bodies | Tags: Beauty, Body Image, Feminism, Movement, Women's Bodies 40 Comments
When women come together
Their bodies can reverberate
Creating a rich stew
Of yummy nourishment
And sisterhood

La Dance by Matisse http://tinyurl.com/o754yzv (wikimedia commons)
I’m floating in a warm pool surrounded by women. Eyes are closed. Hands gently lap the water. Movements are languid, barely making ripples. One woman sits underwater, as if suspended. Above the surface, her breath rises, forming bubbles.
We look like we are hibernating, which in a way we are. This is, after all, a retreat.
It’s just us ladies, so no pressure to pull in one’s tummy to create the illusion of flatness. No need to wear oversize t-shirts to hide soft upper arms or round thighs or skinny hips. No need to walk sexy or look hot. Each of us is resting, saturating in what it feels like to fully inhabit our own skin. We are hiding nothing.
I Look At My Feet
Posted: July 30, 2014 Filed under: Beauty, Body, Body Image, Dance, Feminism, Movement | Tags: Beauty, Body Image, Memoir, Movement, Women's Bodies 39 CommentsI used to look at my feet and see big… long..ugly. At least that’s what some of my relatives told me they saw when I was growing up . So I stopped taking care of my feet.
In college I walked around the Berkeley campus for four years in Nordstrom style loafers. I bought them in all the different colors: Blue. Black. Beige. And red. When I’d wear out a pair, I’d buy another pair. I’d take the BART across the bay to San Francisco on a Saturday.
Once, when I went home for summer vacation, my aunt looked down and said, “What have you done to your feet? They look like you’ve been plowing the rice fields [in the Philippines]!” Oops. Then again, how would she know?